Life on Broadway BNG {Part One}

Your name is [name_f]Chloe[/name_f] [name_f]Frances[/name_f] [name_m]Bernard[/name_m] and you are twenty-two years old. You grew up in Bangor, [name_f]Maine[/name_f], but you have recently graduated from AMDA in [name_m]New[/name_m] [name_m]York[/name_m] City, and, in an incredible stroke of luck – and after countless singing, acting, and dancing lessons – you have landed a leading role in a new revival on Broadway! You are a legit soprano, and you are playing [name_f]Christine[/name_f] in a revival of The Phantom of the [name_f]Opera[/name_f].

In this first role, you meet a host of wonderful people, five of whom become your closest friends.

The first is [name_f]Valencia[/name_f] [name_f]Lourdes[/name_f] [name_m]Williams[/name_m], 22, who was a friend of yours in middle school before she moved away after eighth grade to Mamaroneck, a [name_m]New[/name_m] [name_m]York[/name_m] suburb. You run into her at a little [name_m]French[/name_m] place a few blocks away from the theatre district, which, as it turns out, she owns and runs herself. She is cheerful, friendly, and resourceful.

The second is [name_m]Miguel[/name_m] [name_m]Santiago[/name_m] [name_m]Amado[/name_m], 25, who costars in the cast of your show as [name_m]Raoul[/name_m], a tenor. He is outspoken, assertive, passionate, and kind.

The third is [name_u]Luca[/name_u] [name_m]Filberte[/name_m] [name_m]Romano[/name_m], 21, a sound technician at the recording studio where you and the rest of the actors in your show are creating your cast album, as well as the costar’s roommate. While he loves theatre, he prefers to be behind the scenes. He is diligent, visionary, decisive, and supportive.

The fourth is [name_f]Ella[/name_f] [name_f]Cassandra[/name_f] [name_m]Fleming[/name_m], 22, a pit musician who plays the [name_m]French[/name_m] horn in the orchestra of your show and happens to live in the same apartment building as you. She aspires to write her own musical someday; she is quiet, ambitious, and imaginative.

The fifth is [name_f]Livia[/name_f] [name_f]Tatiana[/name_f] [name_m]Miller[/name_m], 24, who is already a beloved star, having been on the Broadway stage since she was a teenager. She is a soprano, currently plays [name_f]Sylvia[/name_f] [name_m]Llewellyn[/name_m] [name_m]Davies[/name_m] in Finding Neverland, a musical that is brilliant and well-loved but less of a household name than your own, and has many fans from around the country. Nevertheless, she is modest, funny, and sweet.

Eventually, you begin dating [name_u]Luca[/name_u]. Though it’s difficult to maintain a relationship while performing eight shows a week, you manage to hang out in the mornings and explore the city on [name_f]Monday[/name_f] nights, when the show is dark.

After a year, it’s closing night of your musical. After you take your final bows, your director takes the stage to make a speech. At the end, she invites your boyfriend to take the microphone. He takes a ring box from his pocket and get down on one knee. Of course, you say yes.

Your name is [name_f]Ella[/name_f] [name_f]Josephine[/name_f] [name_m]Thomas[/name_m] and you are twenty-two years old. You grew up in St [name_m]Louis[/name_m], [name_u]MO[/name_u]. , but you have recently graduated from NYCDA in [name_m]New[/name_m] [name_m]York[/name_m] City, and, in an incredible stroke of luck – and after countless singing, acting, and dancing lessons – you have landed a leading role in a new revival on Broadway! You are a soprano belter, and you are playing [name_f]Glinda[/name_f] in a revival of Wicked.

In this first role, you meet a host of wonderful people, five of whom become your closest friends. {You choose genders.}

The first is [name_u]Sydney[/name_u] [name_f]Avalon[/name_f] [name_m]Parsons[/name_m], 22, who was a friend of yours in middle school before they moved away after eighth grade to Mamaroneck, a [name_m]New[/name_m] [name_m]York[/name_m] suburb. You run into them at a little [name_m]French[/name_m] place a few blocks away from the theatre district, which, as it turns out, they own and run themselves. They are cheerful, friendly, and resourceful.

The second is [name_f]Laura[/name_f] [name_f]Elizabeth[/name_f] Prasad, 25, who costars in the cast of your show Elphaba {a mezzo-soprano}. They are outspoken, assertive, passionate, and kind.

The third is [name_m]Luciano[/name_m] [name_m]Dante[/name_m] [name_m]Rossi[/name_m], 21, a sound technician at the recording studio where you and the rest of the actors in your show are creating your cast album, as well as the costar’s roomate. While they love theatre, they prefer to be behind the scenes. They are dilligent, visionary, decisive, and supportive.

The fourth is [name_f]Lydia[/name_f] [name_f]Eve[/name_f] McKinnon, 22, a pit musician who plays the Keyboard in the orchestra of your show and happens to live in the same apartment building as you. They aspire to write their own musical someday; they are quiet, ambitious, and imaginative.

The fifth is [name_m]Marcus[/name_m] [name_u]Urban[/name_u] [name_m]Miller[/name_m], 24, who is already a beloved star, having been on the Broadway stage since they were a teenager. They are a baritone, currently play J.M. [name_u]Barrie[/name_u] in Finding Neverland, a musical that is brilliant and well-loved but less of a household name than your own, and have many fans from around the country. Nevertheless, they are modest, funny, and sweet.

Eventually, you begin dating [name_f]Lydia[/name_f] McKinnon. Though it’s difficult to maintain a relationship while performing eight shows a week, you manage to hang out in the mornings and explore the city on [name_f]Monday[/name_f] nights, when the show is dark.

After a year, it’s closing night of your musical. After you take your final bows, your director takes the stage to make a speech. At the end, she invites your girlfriend to take the microphone. They take a ring box from their pocket and get down on one knee. Of course, you say yes.

[name_u]Fallon[/name_u] [name_f]Elsie[/name_f] [name_u]Carter[/name_u]
I grew up in [name_m]Fort[/name_m] [name_m]Worth[/name_m], [name_u]Texas[/name_u]
I recently graduated from NYU
I am a legit mezzo-soprano, and I am playing the [name_m]Baker[/name_m]’s Wife in a revival of Into the Woods.
My friends are
[name_m]Hardy[/name_m] [name_m]Webb[/name_m] [name_u]Green[/name_u]
[name_m]Andrew[/name_m] [name_u]Lee[/name_u] [name_m]Cole[/name_m], my [name_m]Baker[/name_m]
[name_f]Amalia[/name_f] [name_f]Zeta[/name_f] Four
[name_f]Magdalene[/name_f] [name_f]Eve[/name_f] [name_m]Horton[/name_m], the pianist
[name_m]Julius[/name_m] [name_m]Nero[/name_m] [name_m]Moore[/name_m], starring in [name_m]Jekyll[/name_m] & [name_m]Hyde[/name_m]

I start dating [name_m]Julius[/name_m] [name_m]Nero[/name_m] [name_m]Moore[/name_m] for a year, when he proposes!

Your name is [name_f]Alexa[/name_f] [name_f]Edith[/name_f] Bonnet and you are twenty-two years old. You grew up in [name_m]Fort[/name_m] [name_m]Worth[/name_m], [name_u]Texas[/name_u], but you have recently graduated from [name_m]Cornell[/name_m] University in [name_m]New[/name_m] [name_m]York[/name_m] City, and, in an incredible stroke of luck – and after countless singing, acting, and dancing lessons – you have landed a leading role in a new revival on Broadway! You are a legit soprano, and you are playing [name_f]Christine[/name_f] in a revivial of The Phantom of the [name_f]Opera[/name_f].

In this first role, you meet a host of wonderful people, five of whom become your closest friends.

The first is [name_f]Vienna[/name_f] [name_f]Delphi[/name_f] Bloom, 22, who was a friend of yours in middle school before they moved away after eighth grade to Mamaroneck, a [name_m]New[/name_m] [name_m]York[/name_m] suburb. You run into them at a little [name_m]French[/name_m] place a few blocks away from the theatre district, which, as it turns out, they own and run themselves. They are cheerful, friendly, and resourceful.

The second is [name_m]Alexander[/name_m] [name_m]Leo[/name_m] [name_f]Suri[/name_f], 25, who costars in the cast of your show as [name_m]Raoul[/name_m]. They are outspoken, assertive, passionate, and kind.

The third is [name_m]Marco[/name_m] [name_m]Benedict[/name_m] Newcombe, 21, a sound technician at the recording studio where you and the rest of the actors in your show are creating your cast album, as well as the costar’s roomate. While they love theatre, they prefer to be behind the scenes. They are dilligent, visionary, decisive, and supportive.

The fourth is [name_f]Lydia[/name_f] [name_f]Tamar[/name_f] Bellchant, 22, a pit musician who plays the piano in the orchestra of your show and happens to live in the same apartment building as you. They aspire to write their own musical someday; they are quiet, ambitious, and imaginative.

The fifth is [name_m]Marius[/name_m] [name_m]Felix[/name_m] [name_m]Brown[/name_m], 24, who is already a beloved star, having been on the Broadway stage since they were a teenager. They are a baritone, currently play [name_m]Fred[/name_m] [name_u]Barrett[/name_u] in Titanic, a musical that is brilliant and well-loved but less of a household name than your own, and have many fans from around the country. Nevertheless, they are modest, funny, and sweet.

Eventually, you begin dating [name_m]Marius[/name_m]. Though it’s difficult to maintain a relationship while performing eight shows a week, you manage to hang out in the mornings and explore the city on [name_f]Monday[/name_f] nights, when the show is dark.

After a year, it’s closing night of your musical. After you take your final bows, your director takes the stage to make a speech. At the end, she invites your boyfriend/girlfriend to take the microphone. They take a ring box from their pocket and get down on one knee. Of course, you say yes.

Your name is [name_f]Allegra[/name_f] [name_f]Iris[/name_f] [name_u]Perrin[/name_u] and you are twenty-two years old. You grew up in [name_m]Fort[/name_m] [name_m]Worth[/name_m], [name_u]Dallas[/name_u], but you have recently graduated from [name_f]Columbia[/name_f] University in [name_m]New[/name_m] [name_m]York[/name_m] City, and, in an incredible stroke of luck – and after countless singing, acting, and dancing lessons – you have landed a leading role in a new revival on Broadway! You are a legit soprano, and you are playing [name_f]Christine[/name_f] in a revivial of The Phantom of the [name_f]Opera[/name_f].

In this first role, you meet a host of wonderful people, five of whom become your closest friends. {You choose genders.}

The first is [name_u]Morgan[/name_u] [name_f]Della[/name_f] [name_m]Griffin[/name_m], 22, who was a friend of yours in middle school before they moved away after eighth grade to Mamaroneck, a [name_m]New[/name_m] [name_m]York[/name_m] suburb. You run into them at a little [name_m]French[/name_m] place a few blocks away from the theatre district, which, as it turns out, they own and run themselves. They are cheerful, friendly, and resourceful.

The second is [name_m]Alexander[/name_m] “[name_u]Alex[/name_u]” [name_m]Mark[/name_m] [name_m]Arun[/name_m], 25, who costars in the cast of your show as [name_m]Raoul[/name_m], a tenor. They are outspoken, assertive, passionate, and kind.

The third is [name_m]Leonardo[/name_m] “[name_m]Leo[/name_m]” [name_m]Cesare[/name_m] Bianchi, 21, a sound technician at the recording studio where you and the rest of the actors in your show are creating your cast album, as well as the costar’s roommate. While they love theatre, they prefer to be behind the scenes. They are dilligent, visionary, decisive, and supportive.

The fourth is [name_f]Dinah[/name_f] [name_u]Billie[/name_u] Friis, 22, a pit musician who plays the violin in the orchestra of your show and happens to live in the same apartment building as you. They aspire to write their own musical someday; they are quiet, ambitious, and imaginative.

The fifth is [name_m]Maximus[/name_m] “[name_u]Max[/name_u]” [name_u]Cato[/name_u] [name_m]Moore[/name_m], 24, who is already a beloved star, having been on the Broadway stage since they were a teenager. They are a baritone, currently play [name_m]King[/name_m] [name_m]Arthur[/name_m] in Camelot, a musical that is brilliant and well-loved but less of a household name than your own, and have many fans from around the country. Nevertheless, they are modest, funny, and sweet.

Eventually, you begin dating [name_u]Morgan[/name_u]. Though it’s difficult to maintain a relationship while performing eight shows a week, you manage to hang out in the mornings and explore the city on [name_f]Monday[/name_f] nights, when the show is dark.

After a year, it’s closing night of your musical. After you take your final bows, your director takes the stage to make a speech. At the end, she invites your girlfriend to take the microphone. They take a ring box from their pocket and get down on one knee. Of course, you say yes.

Your name is [name_f]Josephine[/name_f] [name_f]Eugenie[/name_f] “[name_u]Josie[/name_u]” Philippot and you are twenty-two years old. You grew up in [name_m]Fort[/name_m] [name_m]Worth[/name_m], TX, but you have recently graduated from [name_m]Cornell[/name_m] University in [name_m]New[/name_m] [name_m]York[/name_m] City, and, in an incredible stroke of luck – and after countless singing, acting, and dancing lessons – you have landed a leading role in a new revival on Broadway! You are a mezzo belter, and you are playing Éponine in a revival of [name_u]Les[/name_u] Misérables.

In this first role, you meet a host of wonderful people, five of whom become your closest friends.

The first is [name_f]Andorra[/name_f] [name_u]Trinidad[/name_u] “[name_f]Andie[/name_f]” Kibbler, 22, who was a friend of yours in middle school before she moved away after eighth grade to Mamaroneck, a [name_m]New[/name_m] [name_m]York[/name_m] suburb. You run into her at a little [name_m]French[/name_m] place a few blocks away from the theatre district, which, as it turns out, she owns and runs herself. She is cheerful, friendly, and resourceful.

The second is [name_m]Frederick[/name_m] [name_m]William[/name_m] Dutta, 25, who costars in the cast of your show as Enjolras (a baritone). He is outspoken, assertive, passionate, and kind.

The third is [name_u]Willoughby[/name_u] [name_f]Tessa[/name_f] “[name_f]Willa[/name_f]” Pepperell, 21, a sound technician at the recording studio where you and the rest of the actors in your show are creating your cast album, as well as the costar’s roomate. While she loves theatre, she prefers to be behind the scenes. She is dilligent, visionary, decisive, and supportive.

The fourth is Merari [name_m]Jedidiah[/name_m] Hobday, 22, a pit musician who plays the cello in the orchestra of your show and happens to live in the same apartment building as you. He aspires to write his own musical someday; he is quiet, ambitious, and imaginative.

The fifth is [name_m]Cassius[/name_m] [name_m]Octavius[/name_m] Cox, 24, who is already a beloved star, having been on the Broadway stage since he was a teenager. He is a baritone, currently play [name_m]John[/name_m] [name_m]Wilkes[/name_m] [name_m]Booth[/name_m] in Assassins, a musical that is brilliant and well-loved but less of a household name than your own, and has many fans from around the country. Nevertheless, he is modest, funny, and sweet.

Eventually, you begin dating [name_m]Cassius[/name_m] Cox. Though it’s difficult to maintain a relationship while performing eight shows a week, you manage to hang out in the mornings and explore the city on [name_f]Monday[/name_f] nights, when the shows are dark.

After a year, it’s closing night of [name_u]Les[/name_u] Misérables. After you take your final bows, your director takes the stage to make a speech. At the end, she invites [name_m]Cassius[/name_m] to take the microphone. He takes a ring box from his pocket and gets down on one knee. Of course, you say yes.